Sunday, December 6

Phish Brings All-night Explosion of Sound to Bill Graham Civic


Bill Graham Civic Auditorium
July 24, 2018

Photos by Pollen Heath

On July 24 at Bill Graham Auditorium in San Francisco’s Civic Center, Phish, like always, took attendees on a journey through genres, tempos, and emotions.

Attendees left with a sense of community – everyone had experienced this ride together. The crowd showcased that “jam band” culture that weaves threads into San Francisco’s identity in music – a culture that hasn’t evolved much since Phish’s 1994 tour to the city.


The show began with “Forty Six Days,” which had a ton of funky bass slapping and dirty guitar. It was the perfect way to bring the array of sounds to the table and get the attendees going. Next was “McGrupp and the Watchful Hosemasters,” with its’ theatrical piano, lighter guitar, and beachier drums. “Pigtail” was another fun crowd favorite.

Common concert goers included a two-year old in tie dye dancing on his father’s shoulders, a man in his seventies who had been to over 40 shows, and thousands more grooving to the magnetic sounds. From the area directly in front of the stage to the far corners of the auditorium to the hallways and the balcony, attendees were consistently in sync with the songs and each other through the duration of the show.

One crowd favorite was Talking Heads’ “Cities,” during which the room filled with echoed voices singing along.


There was much appreciation for the few times Phish pulled some bluegrassy elements in or developed a twangy sound in their music, one of these being during “Gumbo.”

Another highlight was near the middle of the show when the sound got most powerful, especially the unapologetic banging of the hi-hat. For minutes, every sound anticipatingly inched up until erupting into an epic, extended jam session.

During the song “Dirt,” Trey Anastasio’s voice had a bittersweet tone as the crowd followed along, taking the energy down a few notches – an endearing departure from the consistent deliberate jamming of the show’s prior very spirited melodies.


The second set continued the same vibe and carried the same energy. Highlights include Phish sparking the set with the funky feel of “The Moma Dance” through eventually ending the show with an encore of “The Squirming Coli.”

Phish’s exceptional synchrony and reputation for getting lost in their songs makes each concert one hell of a show, and this was no exception. San Francisco jam band fanatics surely have good taste.

Set List: 46 Days | McGrupp and the Watchful Hosemasters | Pigtail (Trey Anastasio song) | Cities (Talking Heads cover)  | Nellie Kane (Hot Rize cover) | Gumbo | Guyute | Axilla | The Dogs | Dirt | David Bowie | The Moma Dance | A Song I Heard the Ocean Sing | Mercury | Carini | Maze | Boogie On Reggae Woman (Stevie Wonder cover) | Harry Hood || The Squirming Coil

For more information about Phish, see their website.


About Author

Since she was a child, Yasmeen has been captivated by music. Also a lover of words, Yasmeen got her degree in Multimedia Journalism. She made her way to San Francisco from her home in Atlanta and has been enjoying the ride. An avid fan of Hunter S Thompson and Bukowski, Yasmeen appreciates the bold and risky. She is currently navigating through her twenties with little sleep and a lot of good times. When she is not attending shows and writing reviews, Yasmeen is helping people find jobs (she is a recruiter by day), exploring new places, hanging at the beach, going on road trips, and buying funky shoes. Her favorite album of all time is The Wall by Pink Floyd.

Leave A Reply