Saturday, December 16

Garbage Vows Love for San Francisco

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Garbage
The Masonic Auditorium
September 24, 2016

All photos by Ashleigh Castro.

The packed Masonic screamed for more Garbage on a September Saturday night. The band took a four-year hiatus from San Francisco. Shirley Manson apologized for missing the city during their 20 years Queer tour celebrating their self-titled album, though made it up to us with a rare treat finale. June 10 they released a new album, Strange Little Birds.

Garbage

“This is the culmination of a lot of hard work,” described Manson. The album surely supports their dark inspiration, as gloomy times we face regarding politics, sex and race spark the bands rage and motivates them to create more music. “We’ve been scurrying around your outskirts for some time,” referencing that they’d been busy recording locally.

Garbage

Shirley Manson, Butch Vig, Steve Marker and Duke Erikson of Garbage have been playing together as a band for 21 years. Collectively they claim solace in darkness. Pivotal times get their beats and words flowing. Their newest sounds confront society, releasing any fear of expression and criticism. Garbage’s set balanced pop and hard rock riffs fluidly, syncing the scope of their industrial career.

Garbage

Crafting a delightful night, start to finish, Garbage proved why they’re one of greatest alternative bands – they are a group of super-musicians and Butch Vig has produced some of alternative’s most influential groups.

Garbage

Garbage kicked things off chart-topping B-side “Subhuman,” which was popular on the UK Singles chart. “Burn down all your idols, destroy your idols/ Create a scene / There goes all your reason, it’s helter skelter/ It’s not a dream.” They followed with hits like “I Think I’m Paranoid” and “Stupid Girl” to get the audience revved up. Swept away by the crowd, Manson mired in the beauty of her surroundings. Noticing many of the young ladies who grew up on Garbage in the audience, she mentioned the “beautiful young women [made her feel]we’ve done something right.”

Garbage

Wearing a neon yellow fringe dress and black boots, Manson strutted around the stage with attitude and joy. Refreshed to be with this crowd, her smile radiated. Manson shared personal experiences for the band throughout their career, exposing us to their raw talent and story. She explained that Bleed Like Me was their darkest time the music industry tried to intercept their sound with hip-hop. Manson laughed because that wasn’t the bands style, so Garbage decided to be “stubborn motherfuckers” and release an alternative album. To follow, they departed Warner Bros. and started their own record company, STUNVOLUME, where they debuted their album Not Your Kind of People in 2012.

Garbage

Providing balance, they toured us through electronic dance tunes, heavy rock riffs, and heart wrenching ballads. Garbage sounded flawless, tighter than any studio album could demonstrate and just as outstanding as when I saw them for the first time 14 years ago.

Garbage

Before Version 2.0‘s single, “Special”, Manson mentioned they heard back from Chrissie Hynde receiving permission to use her lyrics, “We were the talk of the town.” Before the legend ever heard the song, Chrissie Hynde gave them permission to use her music, lyrics, or “even her very own ass!”

Garbage

The house was entranced after Manson dedicated “Cherry Lips (Go Baby Go!)” to two Michaels she met at the meet and greet who continue throughout a turbulent life. Later, when they performed “Push It,” the audience lost it as if being reminded of the necessity to push the limits for evolution.

Garbage

Of course there was a raucous encore aroused from the crowd. They ended with new songs that brought the audience to tears. Garbage returned for “Sometimes”, “Empty,” and “Beloved Freak.” The band delivered a surprise finish from Beautiful Garbage. A rare track for them to perform live, “Androgyny,” was evoked for the boundary-pushing city—the catchy song left everyone in an exhilarated, productive and shining mood.

Set List: Subhuman | I Think I’m Paranoid | Stupid Girl | Automatic Systematic Habit | Blood for Poppies | Milk | Sex is Not the Enemy | Blackout | Magnetized | Special | #1 Crush | Doomed | Why Do You Love Me | Night Drive Loneliness | Bleed Like Me | Cherry Lips (Go Baby Go!) | Vow | Only Happy When It Rains | Push It || Sometimes | Empty | Beloved Freak | Androgyny

For more information on Garbage, see their website.

 

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About Author

Ashleigh is a young, stealthy photographer who grew up on a healthy dose of punk, funk, hip-hop and rock n roll. Shooting musicians since 14, she developed an eye for capturing passionate moments. The first concert she remembers was No Doubt, Cake and the Vandals at Arco Arena in 1997 and most memorable concert was Black Rebel Motorcycle Club’s acoustic set at Great American Music Hall in 2008. Her personal projects chronicle bay-area bands including the Coup, who published her work on their single cover. After graduating SFSU, she’s spent much time working at a San Francisco photo lab and now works as the content, office and photography manager for DOPE Magazine’s Northern California Region. Her analog taste creates photographs that emphasize timeless emotion. Find her in the pit!

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